“Hoghe moves with economy and care, gently yet fiercely; every motion is pristine, inundated with dramatic import. Ueno is supple, mild, in a position to leap with abandon one minute also to explain delicate habits with their fingers the next.” – The Latest Yorker
Raimund Hoghe is certainly one of many pioneers of party dramaturgy so when a musician, is a vanguard that is true of party in European countries, challenging mainstream notions for the human body and beauty in party and culture through works that are “concentrated exams of humanity”. Their decade-long partnership with Pina Bausch is generally referenced as a crucial collaboration between a choreographer and a party dramaturg, and something which had a substantial affect dance-making today.
For Hoghe, going onstage is using up film maker Pasolini’s words to “throw the physical human body to the fight”. Revealing and doing together with very own frame that is unusual Hoghe masterfully disrupts our problematic requirements of human body excellence which he thinks equate people into the status of design items. The bodies in his work are not only physical and personal, but unfold to become complex spaces that reflect on history and culture beyond this statement of visibility.
In Pas de Deux, Hoghe is joined onstage by one of is own regular collaborators, the Japanese dancer Takashi Ueno. With subtlety, humour plus an eclectic profusion of jazz, traditional music and poetry, Hoghe structures a few delicate interactions around quintessentially everyday items of Japanese tradition, imbuing all of them with levels of meaning. Delicate and mild motions, marked by ritual and deep connection that is human increase into a cathartic resonance of the time and beauty.
Bearing a title that alludes to balletic virtuosity, this minimalist duet is alternatively a meditative discussion of motion between two contrasting real figures, and a thought-provoking discussion between these various web sites of memory and history. This performance marks a uncommon and appearance that is first of in Singapore.
About Raimund Hoghe Raimund Hoghe was created in Wuppertal and started their profession by writing portraits of outsiders and superstars for the German newspaper that is weekly Zeit. We were holding later on put together in a number of publications. From 1980 to 1990 he worked as dramaturg for Pina Bausch’s Tanztheater Wuppertal, that also became the subject material for two more publications. Since 1989 he’s got been focusing on his or her own theater pieces for assorted dancers and actors. In 1992 he started the artist Luca Giacomo to his collaboration Schulte, that is nevertheless their creative collaborator. In 1994 he produced their very very first solamente for himself, Meinwarts, which with the subsequent Chambre separee (1997) and Another fantasy (2000) made a trilogy regarding the century that is 20th.
Hoghe often works well with tv on jobs such as for instance Lebenstraume (1994) and Der Buckel, their 1997 hour-long self portrait for WDR (western German Radio and tv). Their publications have now been translated into a few languages in which he has presented their shows all over European countries, in addition to in North and south usa, Asia and Australia. He lives in Dusseldorf and it has been granted a few awards such as the Deutscher Produzentenpreis fur Choreografie in 2001, the French Prix de la Critique in 2006 for Swan Lake, 4 functions (within the category “Best Foreign part”). Experts from the mag ballet-tanz awarded him “Dancer of the” for 2008 year. Publications about his theater works had been posted in France, Germany, britain while the united states of america.